Suzume Review

From Dimple Malhotra comes a review of the latest animated film from Japan’s Makoto Shinkai (director of 2016’s Your Name): Suzume. About supernatural doors, a talking chair, and a teenager’s trauma. The verdict: it’s a film of both hits and misses, but certainly worth a watch. Open the read more door for … More Suzume Review

EO Review

From Annalise Bonnici comes a review of EO, Polish arthouse director Jerzy Skolomowski’s loose take on Au Hasard Balthazar (1966), about a donkey’s journey through the modern world. In cinemas now, the film can be seen with Film Society at its outing on Friday April 14th. … More EO Review

The Whale Review

From Jordan Low comes a review of The Whale, the story of a morbidly obese and self-isolating American English professor, as directed by Darren Aronofsky (The Wrestler, Black Swan), and starring Brendan Fraser, who has been nominated for the Academy Award for Best Actor for his performance as Charlie in the film. Update: He won! … More The Whale Review

Tár Review

From Jordan Low comes a review of American director Todd Field’s return to cinema after 16 years away: Tár, the psychological story of a conductor’s struggle to compose amidst a fall from grace, starring Cate Blanchett and nominated for six Academy Awards, including Best Picture and Best Actress. … More Tár Review

Skinamarink Review

Skinamarink argh dinky dink, Skinamarink argh doo. I’ll scare you! From Lucy Beltrami comes a review and recommendation of the visually and auditorily experimental Canadian horror film turned internet phenomenon, which is currently enjoying a limited cinema release at the Lido in Hawthorn and the Astor in St Kilda. … More Skinamarink Review

The Colour Films Of Yasujirō Ozu

From Jordan Low comes a vibrant study of the final six, and only, colour films of Japanese filmmaker Yasujirō Ozu: Equinox Flower (1958), Good Morning (1959), Floating Weeds (1959), Late Autumn (1960), The End of Summer (1961), and An Autumn Afternoon (1962). Famed and acclaimed as one of the greatest directors of all time, read on to find out why these arguably marked the peak of Ozu’s career, even over his oft cited Tokyo Story (1953) and Noriko trilogy. … More The Colour Films Of Yasujirō Ozu